At a recent open forum at the BFI, the leading literary agent Julian Friedman stated publicly that, as far as he could tell, scripts in general have not been getting any better over the past 20 years that Raindance has been running.
Can this be true? That scriptwriting and script development are still the least funded in the industry? That script training is woefully inadequate?
Let me try and focus on some basic issues I have determined and see if there can be some sort of debate on this, with the intention of improving the quality of screenplays.
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