7 Simple Ways Filmmakers Can Impress
It hit me this damp and cold London June Sunday afternoon that there are some pretty basic ways that filmmakers can make themselves look really good (even if they aren't).
I'm not entirely sure what prompted this thought, or what chain of events conspired to drop this idea into my head.
But here it is:
7 Simple Ways That Filmmakers Can Impress
Social Media For The Complete, Utter and Utter Beginner
If you want an IMDB listing, or if you want to attract cast and crew, social media is the to go.
What if you want to crowdfund and get some money, you will need to get really really good at social media too.
Why not take a few minutes out and see if you are aware of the basics.
read: Social Media For The Complete, Utter and Utter Beginner
7 Things Filmmakers Eat For Breakfast
Then I realised I was eating the wrong diet, and since then I can out lift, out slug, out think or out run about everyone I know.
What have I done differently?
Find out how: Read 7 Things Filmmakers Eat For Breakfast
10 Things Screenwriters Should Know About Filmmaking
Watching all of the films and meeting and talking to the filmmakers made me realise how often screenwriters don't bother to learn about the important role of the producer and the filmmaking porcess.
I put together the 10 Things Screenwriters Should Know About Filmmaking
Enjoy
7 Challenges Facing Independent Filmmakers
Interesting in the middle of the Raindance Film Festival to meet so many filmmakers from around the world.
It reminded me of coming back from the Cannes Film Festival this spring where I ran into two veteran British film producers who between them had produced nigh onto 60 features, been nominated for or won several Oscars and who by any standard are considered to be highly successful.
They both were very negative about the future of the film industry and the prospects of making films like they had been over the past thirty years. ‘Independent Cinema’ is dead they argued.
I beg to differ.
So I just wrote the 7 Challenges Facing Independent Filmmakers
The Secret Raindance Fatwa
With the programmers busy and quietly mulling over their difficult choices, I have been freed up to do some thinking on how Raindance Film Festival is going to position itself this year.
We have already received our new campaign image, courtesy of Gee Vaucher [Banksy's muse]. Our New Festival Image
The new cinema advert has arrived and we are prepping it for our internet premier next week. London attendees to the Boozin N Schmoozin event at Envy will get to see it first.
Boozin' n' Schmoozin' Monday 12 July 6:30pm
Next weekend we are teaming up with some of our old acquaintances Emo Philips and The XX and are presenting a series of film workshops at the Lattitude Festival.
Next week is historic for Raindance: we are kicking off events in New York and Toronto
In New York, we have the first in a series of Wednesday evening filmmaking classes - starting with a Legal Paperwork class
Legal And Business Structure For Your Film Project: Getting Started The Right Way
Toronto continues a very successful series of panels with filmmakers, also on Wednesday - the Anatomy of a Reel series features the first 10 pages of the script of Excited, followed by the reel from the film, concluded with a Q and A and networking.
Anatomy Of A Reel - Excited
So Im thinking how far can one go with self promotion.
Have I used any of the 5 Myths of Self Promotion?
Can I tempt you to read
The Secret History Of The Raindance Fatwa [published tomorrow at noon]
Enjoy
Elliot Grove
www.raindance.org/NYC
Independence Day
Raindance New York
5 Reasons Why Filmmakers Don't Fear The Double Dip Recession
Worried about the "Double-Dip"?
Don't worry! Recessions are actually great news for screenwriters and filmmakers!
Read: 5 Reasons Why Filmmakers Don't Fear The Double Dip Recession
My hero: Henry Moore

Went to see the Henry Moore exhibition at the Tate Gallery - OMG.
I used to work for him as one of 40+ technicians amany moons ago.
I've written a piece I call Lessons Filmmakers Can Learn From Sculptor Henry Moore
How Filmmakers Annoy Journalists
We were discussing how filmmakers approach journalists, or not, when this journo launched into a tirade.
I made notes as fast as I could and then typed it up:
10 Ways Filmmakers Annoy Journalists.
Enjoy
Music and Filmmakers
- James Burbidge: 5 Things I learned about Film from Song Lyrics: Its a look at what a filmmaker must think when hearing meaningful songs on the radio and how those little memorable lyrics could fit in his next movie.
- Sarah Romeo: Music Rights: The costs and licenses needed to put a great song at the right moment of your movie. Includes some low-budget options.
- Charlie Burroughs: Top 10 Songs Performed by Music Characters: The best scenes where characters become artists and belt out the lyrics of famous songs.
How Some Famous Directors Got Their Start
Source: Meredith Hicks, Raindance Intern
Ever wonder where Scorsese, Spielberg and Nolan got their starts?
10 Things New Filmmakers Needs Every Day
1. A good mobile telephone
A good telephone will become your mobile office.
Get the best phone you can, one that can allow you to surf and accept and write emails, and take location pictures.
An invaluable tool that lets you stay connected even when you are on the fly.
A good website to find the best deals
2. A good email address and website
Yahoo, Gmail and Hotmail might be free and easy to access, but getting your own domain name means you can have an individual and bespoke email address.
Register a domain at whois.com, and get a basic package that allows you to create your own email address, like elliot@raindance.co.uk, and join the professionals!
To build a website, use a programme like Apple's iWeb and DIY. Doesn't need to be fancy, include a section About You, Contact Details, Current Projects and your Showreel.
The 7 Steps to Building Your Own Website
Get a good service package from as little as £3.18 + VAT per month with Nativespace (the hosts of Raindance Film Festival)
3. A good laptop with a good battery
And load it up with a useful editing programme like Final Cut Pro, an office admin programme, like Word, and something you can make good presentations with. It is also really useful to have a software package that will let you resize and optimise pictures for the web.
Here's the computer I use: Apple laptop
4. FLIP Camera
At £145, 720 HD, and an 8 gig hard drive, this little beauty is a must.
- See the review video from Computer Now
- See a camera test
- How one blogger got over $20,000 of free publicity using a FLIP
You can get your FLIP HD on Amazon for just £139.99 inc VAT
Perfect for getting those spur-of-the moment interviews to add to your DVD extras.
Order online here
10 Ways Filmmakers Stay Unmarketable
5. Become an Alcoholic and Use a Lot of Drugs
One of the best ways to stay unmarketable is to do a lot of drugs and drink all day. Obvious, I know. On the other hand a great way to stay marketable is to network at a pub. Look for social groups that interest you and join them on a night out. Remember Wedding Crashers rule number 27: Don’t over drink the machinery must work in order to close. This works for women in the movie, but is also practical when talking to a future employer. Although, there was a situation when I was out with a friend with alumni from the newspaper. He ended up getting completely knackered (British word, right?) and still seemed to get every alumnus’s card.
Here is a good take on how much to drink while networking by Tami Reiss: HERE
6. Don’t Go On Dates
Staying unmarketable is like being single in a foreign country. You’re not as desirable to the opposite sex/market and you talk funny/don’t know the company lingo. This may be a less appealing strategy unless you’re more of a maniacal individual. Why not date around until you find a woman with a Dad who is looking for a real go-getter (i.e. he doesn’t want his daughter dating a guy with no job). Besides you may also find true love. We all want that right, a job and true love. I smell a romantic-comedy starring Matthew McConaughey and Kate Hudson.
7. Don’t learn new computer skills
Depending on your market and preferred job another way to stay unmarketable is to have no additional skills. For instance not being able to use Adobe Photoshop or Excel Spreadsheet is a way to get a leg up in staying unmarketable. Most of these programs can be learned through how-to books or online videos. You don’t have to become a Final Cut Pro expert, but having some basics down may create an advantage over the competition.
Rest of the Article HERE
Web A-Z for Filmmakers
by Elliot Grove
Making a film is hard enough. In this day and age, you are also going to need a website. Starting a website can be tough work—getting the world to see it can be even more tedious. Whether you’re starting a website to promote your production company or an individual film, creating a website and an internet network can be the best way to spread the word. Don’t get lost on the information highway! These tips will show you how to begin:
1) Choose a name for your URL.
It should be simple, relevant and easy to remember. If you’re promoting a film, usually the title and the word ‘movie’ make a good URL name. Whatever it is, don’t try to play tricks with the name like dropping letters or adding dashes. The name you choose should be available in organic form, so make sure to check its availability before marrying the idea of a URL name.
2) Use Keywords
Google and eBay both have keyword tools to let you know what the top words and phrases are at the moment. Monitor these tools for a few weeks and see if you can incorporate a word or phrase into the title of your movie.
3) Get a Logo.
You’ll want this for all the following steps. You can either make one yourself simply in an application like Photoshop or InDesign, or get a crafty friend to help you. If you want more help, websites like CrowdSpring and 99Designs let you launch contests for designers to create your logo. For a small fee, you’ll have plenty of great looking options to choose from.
See the rest HERE
Festival Submission Closing Date
In the week BEFORE our final deadline, dozens of telephone calls - from filmmakers asking questions concerning eligibility, from filmmakers worried that their films will reach us in time (Yes it has to be POSTMARKED June 19th) and from filmmakers worried about whether or not their film submissions have arrived.
On this last point, our answer isn't such an easy one as there is a huge pile in the corner, and I'd guess we are running a good week - ten day behind in the logging process.
Happen to want to submit to Briain's largest independent film festival?
Here are the Submission Details